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filmmakers sho上海夜生活品茶微信uld work harder toward developing new film genres and raising the quality of their storytelling to draw back audiences to the cinema.
“When I started to work in the film sector in 2001, China’s annual box-
office takings were less than 900 million yuan. The figure expanded to 60.9 billion yuan in 2
018. We should keep this (earlier) momentum going despite 2019 looking like a difficult year,” Yu says.
And huddling for warmth has become one of the main themes of the festival forums this year.
Fan Luyuan, chairman of tech giant Alibaba Group’s film subsidiary Alibaba Pictures, say
s Chinese filmmakers should get together to enhance cooperation and combat economic risks.
Instead of investing alone in big-budget films, as in the past, most studios now prefer to joi
n forces to co-finance them, echoes Jiang Ping, general manager of the China Film Group.
For instance, Shanghai Fortress, one of the most anticipated science-fi
ction movies after The Wandering Earth-a game changer in the film genre in China-has s
o far drawn 12 companies on board, with five involved in coproduction and the other seven in co-distribution.
First, China has undisputable sovereignty over islands and their surrounding waters in the South China Sea, backed by a wealth of historical and legal basis,” Shao said.
For a long period of time, various nations’ normal passage and flight in the region have never been obstructed. “There i
s no issue over the freedom of navigation and overflight in the South China Sea,” he said.
However, the US has frequently sent vessels and aircraft to trespass into Chinese mar
itime territory and airspace, and has conducted intense intelligence gathering and special drills in the region.
“These actions damage the peace and security of the region,” Shao said. “As a result, the PLA
has installed necessary defense equipment on the islands in accordance with security needs. This is within
the natural rights of a sovereign state, and a necessary measure to counter those provocative actions.”